Montgomery, L.M.: Pat of Silver Bush; Mistress Pat

After re-reading The Curse of Chalion, I only really felt like reading the new Bujold, but not having a copy, well, I settled for something undemanding like L.M. Montgomery’s Pat of Silver Bush and Mistress Pat. I was reminded of these by a flurry of discussion of Montgomery’s Emily books on various LiveJournals. These are about a girl who’s in love with a house. Mostly they’re just people living their lives and telling stories, in the way that Montgomery does well, but there are two things that drove me nuts. First, a major character speaks in a brogue that’s phonetically rendered, and I hate phonetic dialogue. Second, the ending is absolutely horrible. Montgomery clearly wrote herself into a corner, but that’s no excuse for smashing her way out in the way that most insults the characters and the reader. I was warned that Montgomery’s inability to plot was on fine display in these, but I still found the ending highly dreadful.

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Bujold, Lois McMaster: (201) The Curse of Chalion (no-content re-read)

I re-read Lois McMaster Bujold’s The Curse of Chalion in preparation for the forthcoming book set in that world, Paladin of Souls. I have absolutely nothing to add to my review of it, except that I really like this book and can’t want the next one to come out. (My willpower was extremely weak and I read the online sample chapters. Bad idea.)

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Doyle, Debra, and James D. Macdonald: Circle of Magic series

When I got back from vacation, I didn’t feel like reading anything lengthy, so I picked up Debra Doyle and James Macdonald’s Circle of Magic series, six books that were recently re-published, some under different names:

  1. School of Wizardry
  2. Secret of the Tower (formerly Tournament and Tower)
  3. The Wizard’s Statute (formerly City by the Sea)
  4. Danger in the Palace (formerly The Prince’s Players)
  5. The Wizard’s Castle (formerly The Prisoners of Bell Castle)
  6. The High King’s Daughter

Reprinted in 2000-01 with new covers, the publisher was clearly hoping to capitalize on the popularity of the Harry Potter books: the protagonist is about fifteen for the bulk of the series, and the old covers (I have the third in an old edition) show him as a teen. The new ones, on the other hand, have a pre-adolescent boy on most of the covers. I like the old titles better, by and large, as less generic, but if it helped them sell, I shall not fuss.

[ Speaking of clearly hoping to capitalize on Harry Potter: I spotted a twenty-anniversary edition of Diane Duane’s So You Want To Be A Wizard that, well, take a look at this pastel cover for yourself. Fortunately the paperbacks’ covers have not been changed. ]

I don’t know the technical term for this format, but the physical books are slightly taller than a standard mass-market paperback and all about 140 pages. They’re clearly written for a fairly young audience, and after the first book, I was afraid that they were written at too young a level, as I found it rather predictable. I have faith in Doyle and Macdonald, however (and these each take me about twenty minutes to read), so I persevered, and I was rewarded: these do get more complex and interesting as they go. The series leans very heavily on conservation of characters—I think as many may re-appear, as only appear once—and this allows the authors to play with expectations and to show multiple sides of characters. It also helps tie the individual book-episodes together into more of a continuing story.

These were good solid storytelling, just as I expect from Doyle and Macdonald. If you know young Harry Potter fans, you could do worse than to give them these books.

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Robb, J.D.: (17) Imitation in Death

When we got off the plane at O’Hare, nearly the first thing I saw was J.D. Robb’s Imitation in Death, the latest Eve/Roarke novel. This was a pleasant surprise, as I’d seen it listed as a September release, so I snapped it up and read it on an antisocial afternoon. This is a serial killer novel, where the murderer models each of his killings on a different famous serial killer; it’s much in the classic police procedural mode, as there’s a finite universe of suspects, the reader doesn’t know the killer, and the clues to figure it out are gradually revealed as the protagonist investigates. Of the various ongoing character-based plot threads, the main one here is Peabody’s detective exam. Just the thing for a lazy, quiet vacation afternoon.

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Conan Doyle, Arthur: (08-09) His Last Bow; The Casebook of Sherlock Holmes

When I go on vacations that involve airplanes, I take two kinds of books with me. (Paperbacks; I think hardcovers are an inefficient use of space when flying; so, The Merlin Conspiracy must wait yet again.) I take a set of short stories or some other form of reading that is well-suited being read in small chunks before bed. And I take a big thick book, in case I stay awake on a plane and want to immerse myself in something. This vacation, a Sherlock Holmes omnibus was before-bed reading, and I read His Last Bow and The Casebook of Sherlock Holmes.

I have now completed the Holmes canon. Finishing those provided more of a sense of accomplishment than actual enjoyment: not that they were terrible, but the plots were definitely getting tired by the end. Also, the two Holmes-narrated stories are just as insufferable as you’d except. But hey, now I can read The Beekeeper’s Apprentice.

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