Pierce, Tamora: (115) Terrier

Terrier is the most recent of Tamora Pierce’s novels set in Tortall and surrouding countries, though set a couple hundred years before the other books. It’s in epistolary format, almost entirely in the form of the diary of Beka Cooper, a trainee in the Provost’s Guard, the equivalent of a city police force. (There are a couple of excerpts from other people’s diaries at the beginning, which are annoying for being both clumsy setup and printed in difficult fonts.)

This is Pierce’s first novel told in first-person point of view, and though the form slips slightly on occasion, the voice works well overall. While I thought a significant character could have used some more development, that could be attributable to the focus of the book as well as the form; and if I read things right, there ought to be plenty of opportunity to develop this character in the forthcoming two books.

I also look forward to more about the Court of the Rogue, which seems to be a cross between the Mafia and a government for the lower classes—one that is benevolent when properly ruled. That kind of thing makes me twitch, thanks to The Lies of Locke Lamora and Pierce’s own Street Magic, but it may be that the compatibility of these two roles will be explored later on. (Or possibly they were explored in the initial Alanna quartet, but somehow I doubt it. I’m not going to re-read those, because I’m trying to cut down on my re-reading, and also I suspect they won’t hold up very well.)

Otherwise, if you like Tamora Pierce’s other books (especially the Kel quartet), you’ll probably like this one.

No Comments

O’Brian, Patrick: (11) The Reverse of the Medal (audio)

It’s difficult to know how much to talk about books in a series. I knew the major plot point of the eleventh of Patrick O’Brian’s Aubrey-Maturin series, The Reverse of the Medal, ahead of time, and while I appreciated seeing how the novel was constructed to lead up to that, I think I would have liked the suspense of not knowing how it comes out. On the other hand, it’s very hard for a new reader to avoid finding out about this book—as shown by my example, and because the back cover copy and most other descriptions of the next book will give it away.

Which is all a long way of saying that this is a pivotal novel in the series, in which a long-running arc finally climaxes, with some resolution but with serious consequences for the characters’ futures. It’s a really admirable piece of work on a number of levels. This individual book is beautifully constructed, precisely setting up both the major plot point and all the surrounding events that foreshadow it or echo the themes. The characters and the emotion are as true as I’ve come to expect from O’Brian. And as part of the larger series, this book is a very canny structural development. I’m impressed.

I note with regret that Patrick Tull died in September 2006 (Wikipedia; NYT death notice). His narrations are literally the reason I love the series so much: as I said when logging the first one, I’d read the first three and they just didn’t stick, but Tull’s characterizations, humor, and fine sense of pacing made the books come alive for me, to my great enjoyment and enrichment.

On a happier note: The Butcher’s Bill, by Michael R. Schuyler, is a free pdf download that fully indexes injuries, deaths, births, marriages, prizes, and other such things in the series. I can’t wait for my printed copy to arrive (I asked Lulu to generate a single copy for me, reasoning that this was equivalent to printing it out myself, except that I don’t have a laser printer).

As usual, a spoiler post follows.

No Comments