Wells, Martha: Stargate Atlantis: Reliquary; Stargate Atlantis: Entanglement

Finally for tonight, an entry written many moons ago and just unearthed; it appears to be complete, and I have no idea why I haven’t posted it before.

A while ago I watched Stargate Atlantis. In many ways it was not a very good show, but I watched 99% of it [*] because it was very undemanding material to stitch to, that is, I could listen and only need to look up occasionally.

[*] I skipped the season five clip show because, first, clip show, and second, its frame story sounded guaranteed to drive me up a wall.

I got into watching the show to provide context for fanfic that I more-or-less-randomly started reading, which also led me to Martha Wells’ two tie-in novels, Stargate Atlantis: Reliquary and Stargate Atlantis: Entanglement. These were terrific: the kind of exciting SFnal explorations that the show mostly did not manage on its own. Partly this is of course the greater scope a book allows, with no special effects budget or time limit, but also it’s a willingness to be more complicated and thorough that the show didn’t achieve even in multi-episode arcs. If you liked the idea of the show and the characters when they weren’t suffering from plot-induced stupidity, then it’s worth checking these out.

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Pratchett, Terry: (34) Thud! (re-read)

Since those were quick, one more from the Discworld re-read backlog, Thud!.

Unfortunately I think this is the beginning of the end for the Watch books. I am definitely over Vimes and his primal anger/inner policeman issues, and also I can’t believe I didn’t realize the first time through the awful abuse of power represented by his heartwarming “home at 6:00 to read to Young Sam at any cost” (Carrot is the one to stop traffic, but Vimes doesn’t tell Carrot to desist or not to do it again). And while there are some welcome things here about social issues (Detritus gets some good moments that really show how he has changed), there are also some things that feel either very tired and repetitive (non-assimilating dwarves are still a problem, again? With veils, even?) or just awful (you can tell female dwarves, no matter how they choose to present gender, because they’re the ones who coo over babies? Excuse me?).

The end scene is a still powerful image but it’s not sufficient, either for the in-story effects or for my overall enjoyment of the book.

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Pratchett, Terry: (32-33) A Hat Full of Sky, Going Postal (re-read)

Picking up the logging of the Discworld re-read after a long delay, with two quick reports.

A Hat Full of Sky: I liked this more than I remembered or expected, which was a lovely surprise; this is getting close to the end, and I was worried about the downward slide. The external threat here is so tense, and all the pre-adolescent stuff feels real and uncomfortable the way Tiffany’s relationship with Granny Aching did in the first book. There was more Granny Weatherwax than I remembered, too, and I love their interactions. And I will always laugh at Rob Anyway holding up a scrap of paper with “PLN” written on it and declaring that now they have a plan.

Just one spoiler comment, which hardly seems worth going behind the jump, so ROT-13 (see sidebar): gur uvire pbagvahrf Gvssnal’f geraq bs haqrefgnaqvat bccbaragf orsber qrnyvat jvgu gurz.

Going Postal: Still love it.

Okay, okay, that’s not all there is to say: one of these days I will read The Victorian Internet: The Remarkable Story of the Telegraph and the Nineteenth Century’s On-line Pioneers and doubtless want to re-read Going Postal yet again; and the ending is an interesting data point regarding Discworld’s attitudes towards elites and power. Aaand . . . that’s it.

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