{"id":477,"date":"2006-12-31T15:54:40","date_gmt":"2006-12-31T15:54:40","guid":{"rendered":"http:\/\/steelypips.org\/weblog-test\/?p=477"},"modified":"2024-02-23T21:16:53","modified_gmt":"2024-02-24T02:16:53","slug":"yukimura_planetes","status":"publish","type":"post","link":"https:\/\/steelypips.org\/weblog\/2006\/12\/yukimura_planetes\/","title":{"rendered":"Yukimura, Makoto: <cite>Planetes<\/cite>"},"content":{"rendered":"<p><strong><cite>Planetes<\/cite> is a manga by Makoto Yukimura<\/strong>, complete at five books (four volumes, but the fourth is split into two parts). It&#8217;s small-scale science fiction, set in 2074, that follows a ship&#8217;s crew as they collect debris in near-Earth orbit. It appears to be much-praised by critics and much-recommended by sf fans. It has meticulous, easy-to-follow art, which is often put to good use depicting space; characters from different nations, races, and genders [*]; and numerous musings on the meaning of, and motivations for, space travel.<\/p>\n<p>I didn&#8217;t like it.<\/p>\n<p>I thought the main turning points were so obvious as to be boring and, indeed, annoying. More, they were made obvious by moving the characters like little puppets, which I just don&#8217;t have any patience with.<\/p>\n<p>[*] Though race and gender roles seem to be stuck in the early 2000s, or earlier.<\/p>\n<p>There are approximately two character-development arcs within the series. The first focuses on Hachi, who is obsessed with leaving the garbage runs and joining a mission to Jupiter. The second focuses on the ship&#8217;s pilot, Fee, who is faced with moral dilemmas at home and at work.<\/p>\n<p>(The series shifts back to Hachi at the end, which feels almost superfluous. I certainly found it an anti-climax.)<\/p>\n<p>Hachi&#8217;s arc, which really starts in the second volume, is the worst offender in the &#8220;too obvious&#8221; area. He goes further and further into an extreme personal philosophy, and is opposed by a new crew member, Tanabe, who is just as tedious in the other direction. Actual dialogue between Tanabe and Hachi, upon finding the body of an astronaut:<\/p>\n<blockquote>\n<p>&#8220;Instead of rushing into the cosmos and exposing himself to lethal amounts of radiation, he should have thought about [his family]. He should have stayed on Earth!! He made a loveless choice&nbsp;.&nbsp;.&nbsp;. and that is always the wrong choice.&#8221;<\/p>\n<p>&#8221;&nbsp;.&nbsp;.&nbsp;. Love? Who gives a crap about love? Go back to Earth, throw on some John Lennon and hug some trees. Your &#8216;love&#8217; doesn&#8217;t belong out here. It&#8217;s a weakness. That guy had a passion for the stars and there&#8217;s nothing wrong with that. [&nbsp;.&nbsp;.&nbsp;. ] We live alone and we die alone. And that suits me just fine!&#8221;<\/p>\n<\/blockquote>\n<p>(Ellipses in original, except for the one in brackets.)<\/p>\n<p>I presume you can see where this eventually goes from about a mile away, without binoculars. (Even <a href=\"http:\/\/www.comicworldnews.com\/cgi-bin\/index.cgi?column=flipped&amp;page=37\">David Welsh<\/a>, a reviewer who likes the series more than I do, admits that Tanabe is a major problem with the series.)<\/p>\n<p>Fee&#8217;s arc, later on, is set up just as obviously. The minor plot point, which is used as inspiration for her actions in the major, is neighbors complaining about her family&#8217;s many dogs barking. All night. In a city apartment building. Fee takes a neighbor&#8217;s suggestion and uses collars that spray nasty stuff into the dogs&#8217; faces when they bark, telling her son that &#8220;Sometimes you have to be cruel. That&#8217;s real life. You&#8217;ll understand when you&#8217;re older.&#8221;<\/p>\n<p>Naturally, she changes her mind and removes the collars, and then uses the memory of her son&#8217;s reaction to decide something at work&nbsp;.&nbsp;.&nbsp;. because if she&#8217;d used any of the many cruelty-free ways to address her dogs&#8217; barking, well, there goes the handy parallelism, doesn&#8217;t it?<\/p>\n<p>(Also, this annoys me because, hello, her neighbors have a point! And I speak as a dog owner.)<\/p>\n<p>Seriously, it&#8217;s almost enough to make me re-read <cite>Saiyuki<\/cite> for an essay I originally thought about doing, on independence\/dependence and attachment\/detachment, just to see how these kind of themes can be done well. (I gave up the idea when I realized that I would have to discuss literally every plot arc within the series.)<\/p>\n<p>Moving away from my complaints, there are a couple of other things that I should just note about the series. First, though it&#8217;s science fiction, it has a mystic or fantastic streak. Hachi has a couple of conversations that could be his imagination, could be hallucinations, or could be actual manifestations; it&#8217;s hard to tell. I&#8217;ve seen one of these sequences called a &#8220;vision quest,&#8221; which is as good a label as any. Second, there is at least one odd little episode that never goes anywhere, which could either be good or bad depending on one&#8217;s tastes.<\/p>\n<p>I wanted to like this, I really did, but its virtues couldn&#8217;t outweigh how cranky it made me.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Planetes is a manga by Makoto Yukimura, complete at five books (four volumes, but the fourth is split into two parts). It&#8217;s small-scale science fiction, set in 2074, that follows a ship&#8217;s crew as they collect debris in near-Earth orbit. It appears to be much-praised by critics and much-recommended by sf fans. It has meticulous, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/steelypips.org\/weblog\/2006\/12\/yukimura_planetes\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Yukimura, Makoto: <cite>Planetes<\/cite>&#8220;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100,15],"tags":[451],"class_list":["post-477","post","type-post","status-publish","format-standard","hentry","category-manga","category-sf-and-fantasy","tag-yukimura-makoto"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/steelypips.org\/weblog\/wp-json\/wp\/v2\/posts\/477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/steelypips.org\/weblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/steelypips.org\/weblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/steelypips.org\/weblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/steelypips.org\/weblog\/wp-json\/wp\/v2\/comments?post=477"}],"version-history":[{"count":1,"href":"https:\/\/steelypips.org\/weblog\/wp-json\/wp\/v2\/posts\/477\/revisions"}],"predecessor-version":[{"id":2848,"href":"https:\/\/steelypips.org\/weblog\/wp-json\/wp\/v2\/posts\/477\/revisions\/2848"}],"wp:attachment":[{"href":"https:\/\/steelypips.org\/weblog\/wp-json\/wp\/v2\/media?parent=477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/steelypips.org\/weblog\/wp-json\/wp\/v2\/categories?post=477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/steelypips.org\/weblog\/wp-json\/wp\/v2\/tags?post=477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}