Doyle, Debra, and James D. Macdonald: (06) The Stars Asunder

During the weekend, I got to experience all kinds of things—massively annoying air travel [1], Kentucky highways [2], the precise point at which enthusiasm overcomes coordination on the dance floor [3]—which meant that, during my Sunday flights home, I just didn’t have the energy to drag out the laptop. (I mean, you can’t really get anything worthwhile done in the half-hour they let you use the things on the puddle-jumper flights . . . ) So instead of doing any of the piles of schoolwork hanging over my head, I re-read Debra Doyle & James D. Macdonald’s The Stars Asunder.

This is the sixth book published in the Mageworlds series, and the first chronologically. I reviewed the first three a few years ago; The Stars Asunder takes place some five hundred years before then, and deals with the early life of Arekhon Khreseio sus-Khalgaeth sus-Peledaen—also known as ‘Rehke, or Ser Halfey, or the Professor, or a bunch of other people . . . I find myself reluctant to say too much more about it, having just written and deleted six different sentences as possibly spoiling the first three books. It’s nothing you couldn’t get from the back cover copy, but it’s so much fun seeing Doyle & Macdonald continually peel away different layers of their universe, subverting conventions and expectations all around, that I hate to mess with that even a little. Indeed, the main thing I remembered about this book before I re-read it was a revelation in the Epilogue of just this kind (a family name).

I suppose I can say that the book has family and political intrigues and betrayals, highly ambitious magical projects, and blatant messing with the fabric of time and space. Hmm. Since Star Wars is much in the news these days, and the early Mageworlds books certainly seem to have Star Wars as an inspiration, I guess the comparison to the prequel movies is inevitable—The Stars Asunder does seem to be laying the groundwork for the First and Second Magewars, though it’s not really clear how much time this story arc is going to cover. The difference, of course, is that the Mageworlds books do not suck. [4] (But I’d still recommend reading them in publication order.) Indeed, I quite enjoyed this, and I’m looking forward to reading A Working of Stars—and then, probably, re-reading the entire series.

Anyway, that’s one exam down, and a nice leisurely lunch and futzing around with writing this as a reward; now, back into the academic grind.

[1] Let’s see. In addition to the usual discomfort of having my head forced forward at a 45-degree angle by the “head rests” on airplane seats (when I win the lottery and custom-build a personal jet, the seat backs will be flat, with sliding lumbar and neck pillows so that everyone can be comfortable), the seat cushions on Continental’s puddle-jumpers are apparently made of rock, or lead, or something—I’ve sat in wooden chairs that were more comfortable. I came this close to reflexively smacking a flight attendant when she shook me out of a sound sleep, asking me to turn my tape player off for landing; I’m never happy when I’m woken abruptly, and it’s such a stupid rule. And I got my bag searched, which was annoying twice over—if you’re going to paw through my personal things in front of everyone, could you at least do a proper job of it? [back]

[2] Which I saw far too much of. Today’s lesson: never ever ever trust online maps, even for city-to-city directions. I-64 between Louisville and Lexington is quite pretty—very green, much greener than Connecticut, and pleasantly hilly—though rather boring. And the small rural highways are also quite pretty, and less boring as they twist and turn through farms (horses, of course, though I saw more cows than horses). They get markedly less boring when you realize that Yahoo! Maps’ directions have run out, and you’re quite obviously not in the middle of downtown Lexington yet (as the little picture in the directions promised), but are, instead, in the middle of nowhere. Zen navigating fails, since there are no “to downtown Lexington” highway signs and the car rental company’s map treats all of Lexington in a square half-inch (quite reasonably, as it was a Louisville map, just not helpfully). After some adventures in strip-mall hell to find a working pay phone, you stumble into the hotel (narrowly averting ripping out the desk clerk’s throat when he claims no room key is waiting for you, when you know damn well there is), take a fist-full of Advil for your near-blinding headache, and fall face-first onto the bed, determined never to move again.

(You also develop the inexplicable tendency to tell stories in the second person, which is a dubious move for anyone who isn’t Ted Chiang.)

On the plus side, I had a fun little car to drive, a Toyota Corolla that got terrific mileage: Louisville to Lexington and back on $8 of gas. Alas, no cruise control, which meant I was constantly paranoid about whether I’d absentmindedly crept up to my usual speeds; I got my Very First Ticket recently, a remarkably effective deterrent for someone as poor as I currently am. It also had a CD player, which was nice, though my ideal car will have both a CD player and a tape deck. (Albums that it is a crime that they didn’t sell a zillion copies: 1965, the Afghan Whigs; Some Other Sucker’s Parade, Del Amitri; Breach, the Wallflowers. Okay, Breach at least got some airplay, but apparently didn’t do as well as Bringing Down the Horse, which is even more of a crime since Breach is, by a conservative estimate, at least ten times better.) [back]

[3] When the Memphis Soul Revue (who I am firmly convinced could get a tombstone to dance) kicks into “Smooth” at the wedding reception, which song I adore passionately (yes, still). When you’re not a good dancer, it doesn’t take much to upset the proper balance of energy, looseness, and spatial awareness. (It’s just possible that the alcohol and the fatigue might have contributed, also, by that point in the evening.) Anyway, good dancing or bad, it was a hell of a party and worth the sore feet. [back]

[4] No, I haven’t seen Attack of the Clones yet, but I’m really not in any rush. Most of the reviews I’ve seen suggest it’s quite cringe-worthy, such as Ebert’s comment on the grand romance:

There is not a romantic word they exchange that has not long since been reduced to cliche.

No, wait: Anakin tells Padme at one point: “I don’t like the sand. It’s coarse and rough and irritating–not like you. You’re soft and smooth.” I hadn’t heard that before.

*shudder* [back]

3 Comments

Bujold, Lois McMaster: (110) Cetaganda

My major impression upon re-reading Lois McMaster Bujold’s Cetaganda is that this book might just as well have been titled Diplomatic Immunity as the current book (which could have been called, I don’t know, Graf Station). Miles and Ivan, in their callow-lieutenant phase, are sent to Eta Ceta for the funeral of the Dowager Empress, to acquire some diplomatic polish and to stay out of trouble. Which, Miles being Miles, is not terribly likely.

Part of the trouble is a dead body lying in a pool of blood; wondering about the forensic investigation, Miles thinks, “Damn, I wish I could have been in charge of this, just now.” Be careful what you wish for, else you might find yourself investigating a pool of blood (sans body) on Graf Station ten years later . . . (At least the present-day Miles is somewhat easier on the people around him—boy, he was really awful to Ivan, wasn’t he?)

One or two of the Cetagandan bits in Diplomatic Immunity feel like the Author Had A Better Idea (or a more fully developed one) between Cetaganda and DI; there are spots in Cetaganda that would have been perfect for setting up some of DI, but make use of the opportunity only obliquely or in passing. And just how many Empresses does Cetaganda have, anyway, and how does it work? I don’t think that’s ever been explained.

Anyway, still a fun book, even if it doesn’t mesh with Diplomatic Immunity perfectly.

No Comments

Bujold, Lois McMaster: (114) Diplomatic Immunity

I picked up Lois McMaster Bujold’s Diplomatic Immunity at the post office on Monday morning. I’d blocked out the middle of the day to read it straight through, which I did, and then plunged right back into frantic busyness.

The silver lining of being so busy is that it gives me time to digest new books.

It’s a good thing no-one ran with my joke about how this should be called Auditor’s Honeymoon, because that would give entirely the wrong impression. Busman’s Honeymoon was very much about learning to be married, but in Diplomatic Immunity, Miles and Ekaterin have been married for over a year and a half; they’ve already done a lot of that learning in the quiet, plot-less time of Miles coming up with Barrayan bio-law on committees and Ekaterin studying and whatnot. (The story of their wedding is in “Winterfair Gifts,” a forthcoming novella [details at Bujold’s official web site]; we get a few comments about it here, which started me twitching already—sending Aunt Alys off to get Taura dressed civilian-style!)

This is not Busman’s Honeymoon in another sense; as Ekaterin points out quite sensibly, “A Countess is by law and tradition something of an assistant Count. An Auditor’s wife, however, is not an assistant Auditor.” Ekaterin gets a few good moments, but the plot is mostly Miles doing his Auditorial job. This makes a lot of sense—indeed, given Miles’ tendency to suck everyone in his vicinity into his schemes, it is probably entirely healthy!—but it was a bit of a disappointment at first. (I like the interaction that we do see, such as later on that very page where Miles gets “a good-bye kiss, as he headed off to the shower, [that] eased his heart in advance. He reflected that while he might feel lucky that she’d agreed to come with him to Quaddiespace, everyone on Graf Station from Vorpatril and Greenlaw on down was much luckier.” Heh—I know how that works.)

So Diplomatic Immunity isn’t really the book I was hoping for—but I like it a lot anyway for what it is. The difference between this and A Civil Campaign is that, in ACC, I wanted to see things that the book itself promised; here, I thought this might be an entirely different book, which is my fault, not its. (Really, I should have remembered that Bujold prefers to alternate fairly dark books with lighter ones.)

What Diplomatic Immunity is, is a nifty techno-thriller with tons of forward momentum, something in the style of Cetaganda with a dash of Barrayar‘s themes. Cetaganda often gets labelled as minor Miles because it was a prequel, published between the major turning points of Mirror Dance and Memory, but I’m quite fond of it for the fascinating look we get at Cetagandan culture. DI brings us to Graf Station, out in Quaddiespace, and gives us a look at how the Quaddies (free-fall dwellers, four arms, no legs) have developed, two hundred-odd years after their escape to freedom in Falling Free (which is minor Bujold). The Quaddie ballet is just one example of the bio-inventiveness in this book (the rest are spoilers, of course), but probably my favorite; it’s a beautiful scene.

Barrayarans, with their culturally ingrained fears of mutation, don’t all react quite as well to the Quaddies. Thanks to a sequence of misunderstandings, miscommunications, mysteries, and outright screwups, a Komarran trade fleet and its Barrayan military escort have been impounded on Graf Station; Miles is dispatched to clean it up, on the way back from his belated honeymoon. He has a lot of incentive to clean it up quickly, since his and Ekaterin’s first children are about to be born, that is, released from their uterine replicators. (Miles went very old-Vor with the boy’s name, Aral Alexander. The girl’s name is Helen Natalia; Helen for Aunt Helen Vorthys, presumably, but who’s Natalia? Do we know what Ekaterin’s mother’s name is?) But his hope for a quick resolution starts to look like a long shot, as things get murkier and murkier . . .

I’ve seen a few people complain about the pacing, which I don’t quite follow, as I think it’s quite precisely paced. We spend the first part learning about the situation and getting acquainted with people (and re-acquainted with some, including Bel Thorne, who it’s great to see again). The plot rachets up a notch just about a third of the way in:

His heart began to lump. What the hell was this doing here . . . ?

“Miles,” said Bel’s voice, seeming to come from a long way off, “if you’re going to pass out, put your head down.”

“Between my knees,” choked Miles, “and kiss my ass goodbye. Bel, do you know what that [clue] is?”

And then in the last third or so, things go into serious forward momentum mode; I felt like I needed to gasp for air by the climax. Perhaps it’s that I read it in one sitting, and only read the first chapter ahead of time; whatever it is, I thought the arc of the story worked just fine. It’s true that Miles is maybe a touch slow on the uptake, but he was distracted, so I’ll forgive him.

This being Bujold, character is not neglected among the plot; there are some emotional bits that I found fairly moving, and Armsman Roic turns out to have more depths than his (admittedly funny) memorable moment in A Civil Campaign would suggest. Also, I’m very interested to see how Aral Alexander, and especially Helen Natalia, grow up. Anyway, bottom line is that I quite enjoyed it and think it’s a fine addition to the Vorkosigan series.

Up next: a re-read of Cetaganda.

9 Comments

Snicket, Lemony: (02) The Reptile Room (audio)

Listening to the audio book of Lemony Snicket’s The Reptile Room was a mixed experience. On one hand, there really isn’t much plot, and what plot there is you can usually see coming pretty far in advance—a serious problem in the slow-moving audio format. On the other, Tim Curry was a brilliant choice as a reader, and it’s great fun listening to him portray “Lemony Snicket” (one of the best psuedonyms ever, surely). And it’s not as though there are many opportunities to hear Tim Curry say, “Here, snakey, snakey . . . “

I begin to suspect that I just may not have the patience for audio books.

As far as the story itself, there’s no question about it being part of “A Series of Unfortunate Events.” The violence gets stepped up a notch, and there’s a murder, though Snicket warns his readers well in advance. It’s a strange little series, and though it has fabulously skewed inventiveness, a great narrative voice, and non-annoying plucky children, I’m not sure that I can keep reading about these Unfortunate Events without feeling uncomfortably like I’m ghoulishly staring at a car wreck. Perhaps I’ll wait until the last one is out and see if there’s a semblance of a happy ending (the series is currently projected to be thirteen books); at the very least, I’ll space out any further reading or listening.

2 Comments

White, James: (04-06) Alien Emergencies (omnibus of Ambulance Ship, Sector General, and Star Healer)

The second omnibus of James White’s Sector General books is Alien Emergencies, which includes Ambulance Ship, Sector General, and Star Healer. (The first omnibus was Beginning Operations.) Despite all the little things that bother me about these books, they’re still up at the top of my comfort reading list.

I hadn’t read any of these before, but unfortunately I knew the punchline to several from subsequent books. This tends to remove some of the interest, which isn’t helped by the larger-than-usual suspension of disbelief required for a couple of these stories. (If you haven’t read the short story “Spacebird” before, don’t read the introduction to Ambulance Ship. The introduction sums up Sector General as it was at that point, and was written for a collection that didn’t include “Spacebird”; it thus spoils the story quite thoroughly.) Of the ones I didn’t know the solution to, I particularly liked the opening story in Sector General, a story of the hospital’s inspiration that, not surprisingly, takes a strongly integrationist stand on learning to deal with The Other. The concluding story of that book, one of the large-scale problems Sector General is sometimes faced with, is also quite fun. I also really enjoyed just about all of Star Healer, which is Conway learning to be a Diagnostician. (The bit I didn’t like is when it extends the weird sexism of an earlier book to all females, not just Earth-human ones; this gets ignored late in the series, suggesting that White Had a Better Idea.)

Reading a number of these brings up problems besides spoilers. The stories were obviously meant to stand alone; this is completely understandable, but it means that the classification system (why humans are DBDGs), and Rhabwar, and the Monitor Corps, and Sector General itself, have to be explained in each story (not each book; it looks like they don’t stop being fixups until Star Healer). And White does not shy from blatant infodumping, often in language nearly-identical to the last several times someone had to explain it.

Character development is, frankly, a little sketchy as well, but improves somewhat in these books. The series progresses in real time, which isn’t immediately obvious (yes, Conway and Murchison are smart, but they’re not so smart that it hasn’t taken them twenty-odd years to get near the top of their fields). I think the aging of the characters either gives a little more opportunity for us to learn about them, or gave the author a plausible reason to tweak or fill in some details. Or both.

Even with those caveats, I’m still very glad to have read this. Kudos to Tor for getting and keeping this in print via their Orb line. Now if only I could find myself that copy of Code Blue—Emergency I’ve been looking for . . .

2 Comments

Snicket, Lemony: (01) The Bad Beginning

I went to the library today looking for audio books, and read Lemony Snicket’s The Bad Beginning as a result.

This makes sense, really.

I have a five-hour drive ahead of me on Sunday. Since I don’t have a car, I’m not used to driving long distances by myself; accordingly, it seemed like a good idea to get a book on tape to keep my brain occupied (football season being over; football games work surprisingly well for this). The problem I had, though, is that I didn’t want it to be longer than this trip (because I can’t listen to them when I’m just sitting still, and I probably wouldn’t want to wait until the next time I drove to finish it, being impatient); but I hate abridgments; and I didn’t want to get something that might end up harming my mental image of a character’s voice. (They had a few Brother Cadfaels, but if the reader was terrible, I would find it hard to shake, and I still have ten of those left to read.)

They did have a copy of the second book in “A Series of Unfortunate Events,” which I had been meaning to check out at some point. (These are quite popular, so I shan’t bore my readers with a description; if you aren’t familiar with them, the author’s web site gives a good sense of what the series is like; and despite being in a huge, badly formatted pdf, the questions in the reader’s guide are pretty funny.) Beside, the audio book is read by Tim Curry; how could I resist? (I have to say, though, that while describing Curry as playing the “title role in Stephen King’s miniseries It” is accurate in one sense, that’s not really how I would put it . . . ) However, it didn’t seem like a good idea to start with the second book, and besides, what if I hated the writing? So I borrowed the first one, as well. (I also borrowed the BBC’s adaptation of The Hobbit as a backup.)

This took me about five minutes to read. It was an amusing five minutes, but all hail libraries, because there is no way I would ever pay $10 for that. (The paperback from the library, $2.95, says “only available for distribution through the school market.” Feh.) As popcorn of the fluffiest sort, it was pretty good, and I’ll listen to the second on Sunday. I do have to say, however, that the legal twist at the end was about two orders of magnitude worse than Law and Order‘s attempts at being “provocative,” and that’s taking into account the general level of (non-)seriousness in the book. Not that I expect other people to be bothered by this.

There are many, many types of books in the world, which makes good sense, because there are many, many types of people, and everybody wants to read something different. For instance, people who hate stories in which terrible things happen to small children should put this book down immediately. But one type of book that practically no one likes to read is a book about the law. Books about the law are notorious for being very long, very dull, and very difficult to read. This is one reason many lawyers make heaps of money. [*] The money is an incentive—the word “incentive” here means “an offered reward to persuade you to do something you don’t want to do”—to read long, dull, and difficult books.

The Baudelaire children had a slightly different incentive for reading these books, of course. Their incentive was not heaps of money, but preventing Count Olaf from doing something horrible to them in order to get heaps of money. But even with this incentive, getting through the law books in Justice Strauss’s private library was a very, very, very hard task.

[*] Alas, I probably won’t be one of them.

2 Comments

Wellman, Manly Wade: John the Balladeer

I borrowed Manly Wade Wellman’s John the Balladeer on the strength of Chad’s comments in his book log. They are, indeed, just nice stories, in the best sense of the phrase. Chad does a good job of giving the flavor of the collection, so I’ll just add a couple of comments here:

First, when John says, “What’s long time ago left off happening outside still goes on here,” he’s not kidding. The stories are set around the 1950s, but as far as I’m concerned, they’re really set anywhere from frontier days to O Brother, Where Art Thou?. Every time there’s a reference to the Korean War, for instance, it’s incredibly jarring. Second, the songs really need music to go with them—though this can be dangerous, because at least one of the songs scans, to my inexpert eye, to “Clementine,” which is a dreadful, ear-wormy song. Third, when I finished reading the collection, I had the feeling that there was a disproportionate number of evil vamp women; there actually wasn’t, it was just that they were clustered toward the end (along with a really stupid slasher-flick stunt).

Anyway, I quite enjoyed this; the narrative voice alone made it worth reading, though I do foresee myself saying “Shoo” a lot for the next few days . . .

No Comments

Bujold, Lois McMaster: (201) The Curse of Chalion

Also, I’ve put up a review of The Curse of Chalion, Bujold’s most recent novel. I re-read this back in January, during finals, but I didn’t put it on the log then because I was writing a review. Of course, I didn’t quite finish it before I went on break and left the book behind, so it languished on my hard drive. It’s done now, though, and accordingly makes a belated appearance here.

1 Comment

Bujold, Lois McMaster: (113) A Civil Campaign

Re-read Lois McMaster Bujold’s A Civil Campaign. Now that time’s given me some perspective on this, I actually like it less than I did when I wrote a review of it—though I still like it very much.

To put it in non-spoiler terms, I think my dissatisfaction boils down to the way external events truncate or remove some of the possibilities inherent in the early plot. The main example of this, in my view, is the resolution of the Vorrutyer subplot, but I do think that Ekaterin & Miles’ relationship ended up moving a bit faster that I would have preferred, as well. All the needed stages are gone through, and yet it still feels just a touch off.

Anyway, just tone down the gushing in my review a bit, is all. Now I shall sit here and twitch for Diplomatic Immunity. I’m being good, though—I read the first chapter that Baen put up as a snippet several months ago, but haven’t read any more; and I haven’t canceled my order at Amazon (which lists it as forthcoming) to put in an online order at Barnes & Noble (which has been shipping copies for several days now). I’ll have to avoid the local B&N, too; I don’t like their brick-and-mortar stores anyway, but I particularly loathe the local incarnation (what is it about slapping up a college name that makes B&N think it can blatantly rip you off?), and if it had copies, the temptation would be really terrible. (Though, you know, I could just read it in the store, since I’m buying a copy anyway . . . )

2 Comments

McKinley, Robin: Door in the Hedge, The

I came across Robin McKinley’s The Door in the Hedge this weekend, when trying to find something else, and said, “Huh. I don’t think I’ve actually read this.” So I read it on the train Sunday.

This is a collection of four fairy tales, two novellas and two shorter stories. Overall, I like McKinley’s novels better, but this was still enjoyable. The first story, “The Stolen Princess,” takes places in the last mortal kingdom before Faerieland, which feels like an early precursor of Spindle’s End. The characters are charming, but I personally find the happiness of the ending ambiguous. “The Princess and the Frog” is short and elegantly oppressive in the way McKinley does so well. The solution to “The Hunting of the Hind” suggests a quite odd emotional landscape, about which I haven’t quite decided what I think. The last of the stories, “The Twelve Dancing Princesses,” has one brief “what was that?” moment, but is otherwise excellent.

Interestingly, “The Twelve Dancing Princesses” is the culmination of the tendency of these stories to treat personal names as almost incidental. Everyone is introduced by their personal name in the first, because there are several generations of characters, and thus “Princess” would be supremely unhelpful. In both “The Princess and the Frog” and “The Hunting of the Hind,” the name of the protagonist Princess isn’t mentioned until the second section, and then in dialogue; and in “The Twelve Dancing Princesses,” apparently no-one has names at all. McKinley manages to walk the line between iconic and personal, though, which I find fairly impressive.

No Comments