Gaiman, Neil, and Terry Pratchett: Good Omens (completed read)

I finished that piecemeal re-read of Pratchett & Gaiman’s Good Omens last night, on the grounds that reading the fat in-progress three-volume omnibus at bedtime was just asking for trouble (I tend to lose track of time. . .). I still don’t quite understand why, when I first read this, it didn’t quite work for me. It certainly does now.

Someone called A Spokesman sounded close to hysteria [on the radio].

“. . . danger to employees or the public,” he was saying.

“And precisely how much nuclear material has escaped?” said the interviewer.

There was a pause. “We wouldn’t say escaped,” said the spokesman. “Not escaped. Temporarily mislaid.”

“You mean it is still on the premises?”

“We certainly cannot see how it could have been removed from them,” said the spokesman.

“Surely you have considered terrorist activity?”

There was another pause. Then the spokesman said, in the quiet tones of someone who has had enough and is going to quit after this and raise chickens somewhere, “Yes, I suppose we must. All we need to do is find some terrorists who are capable of taking an entire nuclear reactor out of its can while it’s running and without anyone noticing. It weighs about a thousand tons and is forty feet high. So they’ll be quite strong terrorists. Perhaps you’d like to ring them up, sir, and ask them questions in that supercilious, accusatory way of yours.”

“But you said the power station is still producing electricity,” gasped the interviewer.

“It is.”

“How can it be doing that if it hasn’t got any reactors?”

You could see the spokesman’s mad grin, even on the radio. You could see his pen, poised over the “Farms for Sale” column in Poultry World. “We don’t know,” he said. “We were hoping you clever buggers at the BBC would have an idea.”

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Robb, J.D.: (13) Seduction in Death

I’ve actually finished two novels since I last updated this, but one of them was part of a three-novel omnibus, so I’ll wait until I’ve finished the whole thing to comment on it.

So last night I read Seduction in Death by J.D. Robb, the new Eve/Roarke novel (as opposed to the new story that I read a few days ago). This is more in the police procedural mode than the mystery mode, as we’re introduced to the killer pretty early on. I read it straight through and was, again, entertained and amused. Just once, though, I’d like to see Eve go up against a killer who pushes all her buttons in the other direction; instead of sexual homicides by men, multiple sexual homicides by a woman, say, who’s clearly psycho, but is targeting only rapists, child molesters, and abusers. Would be kind of an interesting change.

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Hughart, Barry: (01) Bridge of Birds

Yesterday, it was a beautiful sunny afternoon, I was in a great mood because I’d just finished something important that had been hanging over my shoulder for a long time, just at the deadline, and I decided that, since I’d been inside working all week, I would go outside and sit in the sun and read (the sun makes me so happy. I’m seriously phototropic.). So, I said to myself, “Hmm, I need a nice sunny book to read. I know, I’ll re-read Barry Hughart’s Bridge of Birds.”

So I did. And I was very happy.

I’ve previously reviewed Bridge of Birds, so I’ll just leave you with this passage:

“Let’s get out of here.”

It was easier said than done. It would be suicide to go back into the labyrinth, and the only other exit was the small mouth of the cave. We stood there and gazed down a hundred feet of sheer cliff that could not possibly be negotiated without ropes and grappling hooks at an angry sea where waves smashed against jagged rocks that lifted through the foam like teeth. There was one small calm pool almost directly beneath us, but for all I knew it was six inches deep. The moon was reflected in it, and I gazed from the moon to Master Li and back again.

“My life has been rather hectic, and I could use a long rest,” he sighed. “When I go to Hell to be judged, I intend to ask the Yama Kings to let me be reborn as a three-toed sloth. Do you have any preference?”

I thought about it. “A cloud,” I said shyly.

. . . Li Kao climbed up upon my back and wrapped his arms around my neck, and I discovered that I was beginning to feel undressed unless I wore my ancient sage like a raincoat. I perched on the edge and took aim.

“Farewell, sloth.”

“Farewell, cloud.”

I held my nose and jumped. The wind whistled around our ears as we plunged toward the pool, and toward a jagged rock that we hadn’t noticed.

“Left! Left!” Master Li yelled, pulling on my pendant chain like the reins of a bridle.

I frantically flapped my arms, like a large awkward bird, and the reflected moon grew larger and larger, and then so huge that I almost expected to see Chang-o and the White Rabbit stick their heads out and shake their fists at us. We missed the rock by six inches. The moon appeared to smile, and the warm waters of the Yellow Sea opened to embrace us like long-lost friends.

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Jones, Diana Wynne: Year of the Griffin

Decided to go with something a little lighter than Lord of Emperors after all, so I picked up Diana Wynne Jones’ Year of the Griffin. This is a sequel to Dark Lord of Derkholm, which I enjoyed; it was loosely connected to her Tough Guide to Fantasyland, a travel guide that (very funnily) parodied by-the-numbers fantasies. Dark Lord imagined if that was an actual travel guide, and what havoc tours like that would cause on a world. It was fun and original, though a couple shifts to darker tone were slightly jarring. (Deep Secret, my favorite Jones book, manages this much better.)

The sequel is set eight years later. Elda, a griffin, has gone off to University to learn magic. (She’s the daughter of Derk, the human wizard who had to play the Dark Lord for the very last tour ever. Yes, they’re different species.) The University is in a mess, with financial troubles, deeply incompetent management and teaching, and a bunch of new students with various . . . problems. Like jinxes on their magic, and assassins after them, and parents who don’t know they’re there . . .

This is a lot lighter than Dark Lord, and rather dopey—but in a way that made me speed through it with a smile on my face, not roll my eyes and put it down. The shots taken at educational policy will undoubtedly resonate with a lot of people, and the joy of learning, one of the real pleasures of school stories, is done very well. I’ve read probably a half-dozen Jones books, some of which just slid right off me (the Chrestomanci and Dalemark books, basically) for no apparent reason. Unfortunately, Jones is so prolific that if you don’t like one, people will inevitably tell you that you’ve read the wrong ones, and just try this one, and this one, and . . . If you’re wondering where to start, read The Tough Guide first, and then try this review of Deep Secret by Dave Langford (warning: it reveals a good bit of the plot, but gives a nice sense of the book). If you like Deep Secret, well, you might like the Derkholm books. Or not. (But if you do, there’s a great big “To be continued” on the characters of Griffin, if not the plot, so you can expect more . . . )

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Kay, Guy Gavriel: Sarantine Mosaic (Sailing to Sarantium; Lord of Emperors)

I’m re-reading Guy Gavriel Kay’s Sarantine Mosaic diptych, because, well, I felt like it. Okay, I’d seen the paperbacks in the library and thought about getting them out, but decided to wait until I was at home, and they’ve also come up recently on Usenet. I’ve just finished the first, Sailing to Sarantium.

I already said quite a lot about the book in a review, so I won’t repeat myself here. Re-reading the first book when in a slightly scattered frame of mind, though, is a dangerous thing, because I find myself chasing down bits in the second book (Lord of Emperors) that come out of chance comments in the first, or are why I like this character that was just introduced so much, or, well, you get the picture. As a result, I’ve already read most of the sequel in unordered chunks during the past few days, without “officially” having started it. (Also, while I’m very fond of the first, it is paced considerably more slowly than the second, which is packed with amazing stuff.) As a consequence, I don’t know if I’m going to read it straight through now. I might; I really love these books. They’re both out in paper now; what are you waiting for?

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Robb, J.D.: (12.5) “Interlude in Death”

I’ve got a new Eve/Roarke story by J.D. Robb, and I’m happy. Yeah, it’s a guilty pleasure (I explain a little bit about the background in a review of Conspiracy in Death). But it’s a pleasure all the same.

The new story, “Interlude in Death” (a.k.a. “I couldn’t come upwith another title using ‘. . . in Death’ that I hadn’t already used”), is a novella in a collection called Out of This World. The story doesn’t break much ground, but it moves along nicely, and the sight of Eve trying to get out of giving a seminar at a conference is pretty good. (I’m not crazy about the obligatory revelation about Eve & Roarke’s pasts, but that’s a small quibble.)

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Moore, Alan: League of Extraordinary Gentlemen, The, vol. 1

Last night I finished volume one of The League of Extraordinary Gentlemen by Alan Moore (which I keep wanting to call The League of Frightened Men, which is a Nero Wolfe book). This is the collection of the first six issues/story arc of a new comic.

The story opens in 1898 with a Ms. Mina Murray assembling a crew of, well, freaks, at the direction of British Intelligence. After some effort, Ms. Murray (formerly Mrs. Harker, from Dracula) tracks down and recruits Allan Quatermain (from H. Rider Haggard’s books); Dr. Jekyll (& Mr. Hyde); and Hawley Griffin, the Invisible Man. (Captain Nemo is the other member, but the book opens after Ms. Murray—who kicks ass and takes names, and almost made me want to re-read Dracula, which I recall as being very dull textually—has recruited him, which is good because that’s by far the least probable one for her to have tracked down.)

That we’re in an alternate England is quite clear, and not only because these characters actually exist here, though their fates are not as recorded in our world. (For instance, a postscript at the end of Dracula says that in 1904, Mrs. Harker is still married and has a son.) On page 2, our characters stand upon an incomplete bridge across the English Channel—something never attempted in our world. And we eventually learn that our protagonists have been brought together to recover some stolen cavorite from another famous character of the era . . .

This story was a pretty straightforward adventure, made remarkable by the thought and research evident in the details—cameos, world-building, and background images. (There are annotations available, if you’re having trouble identifying some of the characters—or just translating the bits in different languages.) It was an enjoyable read, but I probably won’t buy the next one in hardcover for myself. (I bought this one in hardcover as a present for Chad, and since he thinks my scruple of not reading books I buy for other people is weird, borrowed it some time after he was finished.)

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Stout, Rex: (17) In the Best Families

Today I read Rex Stout’s In the Best Families because, well, it was sitting on the kitchen table when I sat down to eat breakfast. This is one of Stout’s Nero Wolfe/Archie Goodwin books; Wolfe is a very fat, very brilliant detective who never leaves his house on business, and Goodwin is his man Friday who goes about and gathers information for Wolfe to be brilliant with. Archie’s also the first-person smartass narrator of all of the stories, one of my favorite characters ever, and a pure pleasure to spend time with. (A&E TV is currently adapting a bunch of the stories, and Timothy Hutton’s Archie is a very good one.) In this book, the mysterious and dangerous Zeck (from And Be A Villain and The Second Confession) warns Wolfe off a case; Wolfe’s client is murdered; and Wolfe immediately disappears, leaving Archie at loose ends.

Some of the Wolfe books don’t have enough plot, but this has plenty. It also has some priceless moments, which I shall not spoil here. It’s probably not the best place to start reading the series, though, as it might not have as much impact if you don’t know the characters already. Good places to start would be Champagne for One or The Silent Speaker (both currently in print), for instance, or some of the short story collections.

One of the nice things about helping someone move, by the way, is unpacking boxes of books and being reminded of all the books one would like to borrow. I will not be reduced to “Well, it’s here . . .” in picking my next book to read . . .

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Gaiman, Neil, and Terry Pratchett: Good Omens

Another book I’ve been reading piecemeal, though over longer than this week, is Neil Gaiman and Terry Pratchett’s Good Omens. There’s a spare copy of this in the car for when we get stuck in traffic, for me to read aloud to occupy our minds; it works very well for that, though I’m not so good at reading through snickers. On Wednesday, while waiting for the people who were to help unload the moving truck (they didn’t show), I re-read a bunch of it. To borrow a phrase from Book-a-Minute, “Five billion people almost DIE, and it is FUNNY.”

Good Omens is the story of the Apocalypse. The Antichrist was born eleven years ago; but due to a little mix-up at the hospital, he’s been sent off to a nice English family and been raised completely free of Satanic—or angelic—influences. And there’s this angel and this demon who get along better with each other than their superiors, and this book of really, really accurate (but very muddled in time) prophecies, and the Four Horsepersons, and Dog (Satanical hellhound and cat-worrier), and, well, it’s too hard to describe. Just read it. Really.

Pratchett & Gaiman are very good writers separately, as well. Good Omens might feel a bit more like Pratchett in style (such as the Discworld books), but at that time Gaiman was also writing Sandman, a brilliant comic, so that’s not too suprising.

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Garrett, Randall: Lord Darcy

Since Sunday, I’ve basically just read things that happened to be lying around, since I’ve either been packing, moving, or working on some academic stuff.

I re-read Randall Garrett’s Lord Darcy pretty much piecemeal over Sunday, Monday, and Tuesday. This is an omnibus of three books, one novel—Too Many Magicians—and two collections—Murder and Magic and Lord Darcy Investigates. As the titles suggest, these are alternate-history fantasies that riff on classic mysteries. Among the supporting cast in Too Many Magicians are two characters who are rather like Nero Wolfe and Archie Goodwin (for more on which, see below, but who appear in books including Too Many Clients,  . . . Cooks, and  . . . Women), and Lord Darcy investigates a crime or two not dissimilar to those that Dorothy Sayers’ Lord Peter investigated.

The alternate-history conceit of these books is in two parts. First, Richard I didn’t die on the Crusades but settled down after recovering from his wounds and became a very good king, and the Plantagenets have ruled the Anglo-French empire ever since (it’s about the 1960s in this alternate world, or about present-day to when Garrett was writing). Second, the Laws of Magic were discovered before the laws of science, and have been worked out as thoroughly as science was in this world. (Materialism is presently scorned.)

The feel of the world is a bit odd, as the existence of a competent ruling dynasty apparently means the preservation of the aristocracy and certain courtly forms of manner and dress, yet the tech level encompasses railroads, elevators, and horse-drawn carriages with pneumatic tires. There’s also fairly large amounts of info-dumping going on; I happen to think that the information being dumped is amusing, but other people might have less tolerance of the form. They lend themselves well to being read piecemeal, though, and I enjoy them.

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